The Exp. Seminar will introduce basic knowledge in auditory and visual perception through demonstrations and reenactments of scientific experiments and perceptual phenomena. Furthermore, related artistic, architectural, scientific and philosophic texts and works will be explored in readings, presentations and discussions.
Besides the introduction to principles of visual and auditory perception, ideas from different disciplines that initiated a change in the understanding of perception will be discussed. These disciplines include philosophy, phenomenology, neuroscience, and psychology. Works by various artists working across sensory modalities will be introduced and discussed in the class. The reading list includes texts by James J. Gibson, Maurice Merleau-Ponty, Francisco Varela, David Marr, among others, besides recent papers from scientific journals. Participants are encouraged to develop and present projects, new or existing, which are related to topics of the class.
28.06 – Artists' Use of Human Beings
29.06 – Introduction to Visual Perception
30.06 – Introduction to Auditory Perception
01.07 – Presentations & Discussion
Yutaka Makino was born in Tochigi, Japan, in 1976. He studied Earth Science, Computer Music and Visual Arts in Japan, Europe, and the USA. He lives and works in Berlin. Based on research in phenomenology, experimental psychology, psycho/acoustics, social sciences, and system theory, Makino tests the process of perception in performances and installation works. His works provide visually and acoustically conditioned environments which make different modes of perception tangible to the perceivers and provoke reflection on the act of perception.